A Potter's Pilgrimage
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We reserve the right to alter all product pricing without notice.
We reserve the right to cancel or delay an order where order details are incomplete or fraud is suspected.
We work hard to try to ensure our online stock levels are kept up to date. From time to time, some products may not be available and we will inform you as soon as possible if goods you have ordered are not in stock.
We put every effort into ensuring that our products are second to none. However, If you are not entirely satisfied with your order we are happy to provide an exchange or refund within 14 days of receipt. Returns must be unused and in a re-saleable condition with any National Trust swing ticket and all tags still attached. Delivery charges are non-refundable but we will send out a replacement free of charge. Please also provide proof of purchase, for example a delivery note or paper copy of a confirmation email. Contact us at firstname.lastname@example.org if you wish to organise a return.
'Nothing in art is more profound than a pot ... and no potter is more profound than Milton Moon. Milton is as marvellous with words as he is with clay.' - Phillip Adams, AO
'For almost sixty years Milton Moon has been making and exhibiting pots inspired by the ancient Japanese ceramic tradition and the ancient Australian landscape. A Potter’s Pilgrimage throws new light on the career of this eminent Australian potter, a master of his craft, who has been an inspiration for Australian potters for over two generations.' - Ron Radford, AM, Director, National Gallery of Australia
'It is rare to read such a detailed first-hand account of someone’s life and work. Milton Moon’s memory of his long career of working in ceramics is remarkable; his writing engaging and objective. This is a fascinating insight into the development of Moon’s ideas and inspiration as well as his innovations and achievements. It is also an important record of his memories of influential people and places, of changes in education and the art world and the evolution of ceramics technologies.' - Grace Cochrane, writer and curator, Sydney